Saturday, 24 March 2012

Little Treasures with Christine Plummer

I also attended Christine Plummer's Little Treasures workshop, which was a fun session experimenting with lovely coloured papers and tags (painted with brusho), organza, buttons and machine stitching.

While I was aware that you could stitch on paper, I'd not experimented with the technique, and so it was good for getting ideas flowing. I also think I could modify this technique to use with my 7 and 5 year old nieces.




Silk Shaded Mushroom with Katie Pirson

Still having a marvellous time here at the Fashion, Embroidery and Stitch show. This afternoon I was lucky enough to be able to take part in a silk shading workshop with Katie Pirson, who I happen to know from my teenage years as a lighting techie, but hadn't seen since.

The workshop was excellent, and Katie is a brilliant teacher, very understanding and gives marvellous explanations.

We had a kit containing lovely linen with a mushroom design drawn on it, Madeira thread and very clear instructions. Katie took us through building up the layers in soft shading, with the very important point that your stitches need to be longer than you think, to allow for later rows of stitches to be fully incorporated.

I'm really looking forward to finishing my mushroom -thanks Katie!

(the picture of the finished mushroom is Katie's one -I'm not that good/speedy)





Friday, 23 March 2012

Newspaper brooches with Kim Thittichai

Having a lovely time with mum at the Fashion, Embroidery and Stitch, Hobbycrafts and Sewing for Pleasure shows.
I went to a workshop with Kim Thittichai, where she taught us to layer painted newspaper, bondaweb and Mica flakes to make gorgeous pieces, which we backed onto heavyweight pelmet Vilene, and cut into shapes, ready to make brooches. Inexpensive supplies, a great outcome, and fun. Recipe for success!






Monday, 10 October 2011

Breakdown Screenprinting Course

This weekend I attended a Breakdown Screenprinting course at the MAC, led by Emma Jackson. It was a fabulous weekend. We started by building up print paste and dye on the back (face down when printing) surface of the screen, and then pressing various textured objects into it to make impressions in the paste.


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Another way of working was to draw onto the screens with print paste using bottles with thin nozzles, with the drawn lines transferring to the finished prints.
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The screens were left to dry overnight, and the next morning we came back to them, and picked out all the embedded objects.


Stars screen


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Then the big fun began. We laid the screens down onto the (pre-treated) fabric, applied either clear or coloured print paste, and pushed the squeegee down across the screen. Initially heavy areas of dried pastes were acting as a resist, so applied colours only came through the thinner areas. As the paste got wetter and broke down, more and more transferred onto the fabric, meaning that each screen placement resulted in a different print. While the process was hard to tame, it wasn't entirely unpredictable, and produced beautiful results.


Heather's button print



Sadly, someone accidentally picked up two of my three finished pieces of fabric so I can't share them with you at the moment, but the MAC are trying to get them back for me.

Monday, 9 May 2011

From Print To Stitch

I'm now a fully paid up member of Birmingham Embroiderers' Guild, and had a marvellous evening at the members workshop, where we were printing with collograph printing blocks of leaves.

We applied the leaves to stiff board with double sided tape, and then inked them with rollers, applying the print firstly to paper:

Birmingham Embroiderers Guild May 2011 Print to Stitch (1)

My paper print was a bit light, so I inked it a bit more, then printed onto a batik fabric:

Birmingham Embroiderers Guild May 2011 Print to Stitch (3)

Birmingham Embroiderers Guild May 2011 Print to Stitch (4)

If anything, this was probably a bit dark - I think I pressed a bit hard with the brayer.

Here is the collograph print block, apparently they keep rather well & can be reused:

Birmingham Embroiderers Guild May 2011 Print to Stitch (2)

I'm certainly going to experiment more with this technique. It was an easy way to get some lovely prints. For now, I'm going to stitch into my print, to add definition and texture.

If you like the look of the Guild, then pop along to their blog (which I also run!) to find out more about how to join.